When most people think of violins, the first thing that comes to mind is the classical period instruments made during the renaissance.
However, there are actually many different types of violins that have been created over the years. One particularly interesting type is the baroque violin.
Baroque violins are often considered to be some of the most beautiful instruments ever created. They have a distinct sound that sets them apart from other types of violins, and they are highly sought after by collectors and musicians alike.
Baroque violins are so named because they were popular during the Baroque period in music history. This time period lasted from around 1600 to 1750 and was characterized by an increase in musical complexity.
Baroque violins differ from traditional renaissance violins in a few ways. They typically have a smaller body size, which makes them more portable.
They also have a higher string tension, which gives them a brighter sound. One of the most iconic features of a baroque violin is the scroll. This is the ornate end of the violin neck that curves upward and is typically decorated with carvings or inlays.
Some of the most famous baroque violin makers include Antonio Stradivari, Giuseppe Guarneri, and Jacob Stainer. Baroque violins are still popular today and can be found in many classical music performances. Baroque violins have a smaller body size than renaissance violins, making them more portable. They also have a higher string tension, which gives them a brighter sound.
If you are a fan of baroque music, then you know that the sound of a baroque violin is unmistakable. Baroque violins have been prized for their unique sound for centuries, and continue to be popular among musicians today.
Baroque violins were first developed in the early 1600s, and quickly became popular among musicians due to their superior sound quality.
Unlike modern violins, baroque violins have a much more curved shape. This curvature helps to create their distinctive sound. Baroque violins are typically made from a variety of different woods, including maple, spruce, and ebony.
This helps to create their unique tonal quality. Baroque violins are often considered to be the most well-made violins of all time.
They are highly sought after by collectors and musicians alike. Baroque violins can be quite expensive, with some models selling for thousands of dollars. However, they are well worth the investment for musicians who appreciate their unique sound.
History
From the ancient times, the oldest known stringed musical instrument is the Ravanahatha. This instrument was first found in India and Sri Lanka, later it was peddled to different regions, which made other people interested in strings instruments.
The violin shares ancestry with the rebab from the seventh century, an Arabic type with two silk strings. Later, in tenth century, the rebec was found with similarities to the rebab.
These instruments used to be played underneath the chin or in hand held positions with frets and strings, which range from 1-5.
During the 13th-14th centuries, another ancestor of the violin was found, named Morin Khuur.
This two-string fiddle body was carved as a trapezoid, and the head was like that of a horse head with tuning pegs (which apparently used to look like ears). The Asian culture influcenced the Europeans, and they became creative with their woodworking, Then, during the 13th century, the modern violin, the French Vielle, was made with five strings.
In between the 15th and 16th century, the lira da braccio was found with similarities to the Vielle, but the only exception was it had a sound-post. Instruments of the da braccio family used to have under the chin positioning.
Even in Italian, 'da braccio' is considered as 'on the arm'. This type had a wider fingerboard and a flatter bridge.
Performers used to use the top strings for melody and the bottom strings for chordal accompaniment. During 1550, the modern violin with four strings was found in Northern Italy. Gasparo da Salò was one of the pioneers in violin making.
Later, Andrea Amati came up with the perfect size and shape. The oldest violin in today's world was made with the name, Charles IX.
The Cultural Significance Of The Baroque Violin
There are different eras where violins or similar instruments with little differentiations were made.
During 1644-1737, in the Golden Era, Antonio Stradivari standardized his career in instrument making. He made some changes and modernized Amati’s designs for bigger, darker sounds.
Baroque violins, the stringed instruments from the violin family, came into play during the 18th century during the baroque era, with its shorter and thicker neck. This type of violin also had a shorter and flatter fingerboard, but it did not have chin rests or shoulder rests.
Baroque violins with gut strings are softer and gentler in tone rather than forceful and declamatory like modern violins. In this era, performers used to use snakewood as it made for heavier and denser convex shaped bows instead of concave ones.
In the Classical Era, composers like Vivaldi, Mozart, and Haydn made various violin sonatas and concertos, and also petrified the violin instrument. Some big changes were made to the violins, like a longer fingerboard to play in a higher position, a lengthy bass bar, a bridge that was set in a higher position, and a sound-post that was thickened.
In 1775, the modern bow was introduced.
Francois Tourte was the first to use Pernambuco wood to make longer bows. In order to make the concave bend, heating was used rather than actually cutting into wood in convex bends.
In 1820, during the Romantic Era, Louis Spohr founded Chin Rest, which made the technology of playing high, virtuosic passages much easier. This change alone made an impact on violin music forever, where playing in the new, more difficult styles of music in orchestra was possible.
With this instrument E,A and D strings were gut made, but the G string was gut and silver made. The whole design stayed until the 19th century. However during the 20th century, violinists started using steel string.
Musicians kept experimenting with combinations of gut and steel strings, but there were no listeners who were a fan of this. In 1970, Thomastick-Infeld introduced synthetic strings by the name 'Dominant'.
Types Of Baroque Violins
There are not many kinds of baroque violins, but they are in a distinct competition with modern day violins.
Physically, the baroque violin is relatively softer. In the modern instrument, the neck is angled back, which helps to keep the tension of the strings in a way that they do not break the neck.
Baroque violins are not designed with chin rest and they are supposed to be played without a shoulder rest in orchestra. In the modern version, steel strings and a larger bass bar is used to make it louder.
The baroque violin has gut strings. Although the baroque violin seems more resonant for being under less tension, the vibration stays longer after the bow stops moving.
This can be a reason why chordal passages, the unaccompanied Sonatas and Partitas, work nearly perfectly on the baroque violin. One major difference is the bow.
Baroque bows are relatively short and this requires a player's thumb on the bow hair. In the 17th century, longer and softer basic diminuendo profile bows were introduced; this is currently what is being used in today's time.
Transitional bows with a kind of battle-ax head were introduced during the second half of the 18th century. Bow techniques for both are quite different.
For instance, with the baroque bow, performers let the bow’s own weight rest on the string, this way, the bow's proclivities make a soft attack, a swell, and a diminuendo. In the Baroque Era, a fiddle, known as a kit or pochette, were used.
Parts And Constructions Of The Baroque Violin
During the Baroque Era, many improvements were made to the design of the baroque violins, which eventually inspired many musical developments.
Changes were made to the neck, fingerboard, bridge tailpiece, and bass bar. Thickness and vibrating length of the violin strings and height of the bridge were also modified. The neck is attached to the upper block at an angle.
The bass bars were made longer and stronger. Performers used to use vibrato for quite some time for playing long or stressed notes.
The vibrato can be considered as an ornamentation. There are debates about the inconsistent terminology and disagreement over the usage of the vibrato, but composers like Jean-Jacques Rousseau advocated for using it where the length of note permits. It is played significantly by region, individual taste, and in rapidly changing fashion.
FAQs
Q: How are baroque violins different?
A: The baroque Violin, a stringed instrument, is softer and gentler in tone rather than forceful and declamatory like modern violins.
Q: What are 2 facts about baroque music?
A: Baroque music has long flowing melodic lines and decorative notes. Baroque music also has a contrapuntal texture.
Q: Where was the baroque violin made?
A: The journey of the baroque violin started in Italy.
Q: When was the baroque violin invented?
A: The baroque violin was invented in the 16th century.
Q: Who invented the baroque violin?
A: The baroque violin was presented in the workshops of makers like Amati, Guarneri and Stradivari.
Q: What are the baroque violin strings made of?
A: Gut or catgut is what baroque violin strings are made of.
We Want Your Photos!
Do you have a photo you are happy to share that would improve this article?
Bachelor of Science specializing in Nautical Science
Ayan BanerjeeBachelor of Science specializing in Nautical Science
Thanks to his degree in nautical science from T.S. Chanakya, IMU Navi Mumbai Campus, Ayan excels at producing high-quality content across a range of genres, with a strong foundation in technical writing. Ayan's contributions as an esteemed member of the editorial board of The Indian Cadet magazine and a valued member of the Chanakya Literary Committee showcase his writing skills. In his free time, Ayan stays active through sports such as badminton, table tennis, trekking, and running marathons. His passion for travel and music also inspire his writing, providing valuable insights.
1) Kidadl is independent and to make our service free to you the reader we are supported by advertising. We hope you love our recommendations for products and services! What we suggest is selected independently by the Kidadl team. If you purchase using the Buy Now button we may earn a small commission. This does not influence our choices. Prices are correct and items are available at the time the article was published but we cannot guarantee that on the time of reading. Please note that Kidadl is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon. We also link to other websites, but are not responsible for their content.
2) At Kidadl, we strive to recommend the very best activities and events. We will always aim to give you accurate information at the date of publication - however, information does change, so it’s important you do your own research, double-check and make the decision that is right for your family. We recognise that not all activities and ideas are appropriate for all children and families or in all circumstances. Our recommended activities are based on age but these are a guide. We recommend that these ideas are used as inspiration, that ideas are undertaken with appropriate adult supervision, and that each adult uses their own discretion and knowledge of their children to consider the safety and suitability. Kidadl cannot accept liability for the execution of these ideas, and parental supervision is advised at all times, as safety is paramount. Anyone using the information provided by Kidadl does so at their own risk and we can not accept liability if things go wrong.
3) Because we are an educational resource, we have quotes and facts about a range of historical and modern figures. We do not endorse the actions of or rhetoric of all the people included in these collections, but we think they are important for growing minds to learn about under the guidance of parents or guardians.